We are ready to kick off work on our next TV series, and will film three new shows this May in Croatia, Slovenia, Bosnia, and Montenegro. We did one show on both Slovenia and Croatia a decade ago. Now we know the area much better and can dedicate three episodes to the same region and do it right. The scriptwriting process is the first step. Then we set an itinerary, line up local friends, and get permissions. For these three scripts, I’m helped by Cameron Hewitt (co-author of my Croatia & Slovenia guidebook). Below you can see how I proposed the basic show structure and welcomed Cameron to volley back my rough outline with more flesh on it. Here are the just-fertilized eggs of three TV shows:
Show #1: Best of Slovenia (culture, food, local guide/friends Marijan and Tina?):
Ljubljana (market, Plecnik, Art Deco, prison hostel)
Bled, Lake Bled (Tito’s villa, castle, boat, island, traditions wedding, crème cake)
Julian Alps, Soca Pass loop (war sites, Kobarid museum, Italian memorial, the actual drive)
Skocjan Caves (better than Postojna)
Predjama Castle (so visual, not much beyond that)
Piran (finish with Venetian charm and Slavs in Speedos)
Cameron’s Notes:
Ljubljana: architecture, especially Joze Plecnik — NUK, Cobbler Bridge, his house
I know some good viewpoints for skyline shots of Ljubljana
Bled: skip the weddings since you covered it well last time?
Julian Alps: suspension bridges, watersports in Soca (look for kayakers), Hemingway connections
Predjama: Do a picnic there? Otherwise needs just a few seconds–not much there
Traditional Slovenian culture: beehives, hayracks, tourist farms (like agriturismos)
flight over Julian Alps? Local polka music–i.e., Avsenik?
In Karst (caves) section, visit a prsut-production facility? (prosciutto, very typical in Slovenia)
Consider Logarska Dolina? Very remote mountain region, more rustic than Bled
Consider Ptuj? Only interesting for Kurentovanje, but could get guys to dress up in the costumes
Skip Piran? It’s so similar to Croatia, nothing unique about it–rather have more time for others
Smart to skip Lipica
Show #2: Best of Croatia
Dubrovnik (must include in this episode while actually covered in next, acknowledge too short a visit in this episode)
Korcula and boat to Split (town, Moreska Dance set up, sobe, actual ferry ride with island scenery)
Split (Diocletian, Paseo chic harbor front)
Plitvice (a good lamb on a spit bit)
Zagreb (naïve art, cathedral, square, the pilgrim spot in action, modern prosperity, freedom
Motovun/Istria, truffles, rustic meal)
Rovinj (climb tower, bike, commie monument, market action, old town, hotel/B&B, St Euphemia, ship builders’ museum, wine bar funky, wine bar chic, best meal)
Cameron’s Notes:
Klapa Music in Split Vestibule is a must–maybe in lieu of Moreska?
Korcula: Did very well in last show, consider doing quickly–maybe in combination with Hvar to show two islands. Moreska Dance is OK but clichéd and well-covered before…skip it? Also since you already did the sobe routine on Korcula I’d do it elsewhere for this show (ideal in Dubrovnik).
Islands: Let’s aim to make this quick & dirty, acknowledge the islands but move on right away. 30 sec each in Korcula and Hvar would do it.
Fishing Boat: One cool (and unique) way to do the islands might be to contact our friends in Split who have refurbished a traditional Croatian fishing boat and take tourists out for day-trips. I think they often work with an actual salty Croatian fisherman/captain. Might be more trouble than it’s worth, but at least it’d be more interesting than sitting around a snack bar on a Jadrolinija ferry. Instead of spending a day in Korcula, could spend a day on the seas with this boat, go to Hvar, etc.
Split: Talk about local sculptor Ivan Mestrovic (works in town, gallery on outskirts)
Zagreb: Don’t get hung up on “modern prosperity” and “freedom”–it’s ancient news and was never really relevant in Yugoslavia anyway. Instead focus on the thriving urban side of Croatia (contrast to the idyllic coastline)
Motovun/Istria: Go to Konoba Astarea for traditional feast, esp. peka (lamb in copper pot at giant fireplace); could do a truffle hunt in Istria, but I think you already did this in Italy
Rovinj: I wouldn’t linger on the wine and food stuff here–it’s far better elsewhere in Istria (and Croatia). Focus instead on how picturesque/atmospheric the place is. Emphasize usefulness as a home base.
Hvar: Instead of/in addition to Korcula to give some balance (and not overemphasize this one island in two different shows). The Benedictine monastery where nuns make lace out of cactus fibers is fascinating, great views from fortress
Pula: very quick visit to show the amphitheater and ruins in Old Town (in context of Rovinj daytrip)
Opatija: for a taste of Habsburg opulence (ties in neatly with Istria) War Damage: Visit Otocac to show damaged buildings, cross made of shells, contrast Catholic vs. Orthodox church, roadside memorial just outside of town. Don’t overplay the war, but acknowledge/explain well.
Show #3: Dubrovnik and Balkan Adventures
Dubrovnik (jazz, bar on wall, predictable sites, wall, war, story of Yugoslavia, Pero’s B&B)
Bay of Kotor (Kotor, Perast, boat to island, Lady of the Rock tour, Kotor town, switchbacks)
Sveti Stefan and Budva Riviera?
Cetinje, monastery in action?
Serb Republic, Trebinje, Nevesinje
Sarajevo (1914 stuff)
Mostar (bridge, jumping, commerce, church, reconciliation, war, cemetery, youth scene, modern life, hope)
Cameron’s Notes:
Dubrovnik: Skip the jazz–not a big deal here. Hole in the wall bar is a must. Could combine Pero with visits to other great sobe (e.g., Jadranka) to emphasize value over hotels. Also consider monastery museums, Serbian Orthodox Church (maybe irrelevant because of trip to Serb areas), ice cream, beaches (some with great views of the Old Town), etc.
Old Fortress: The ruins of the old fortress are right above Dubrovnik. Great views, and also we know a driver who’s a neat guy and was an actual veteran of the war, could take us up and give us his firsthand account. Could be a fresh look at the war, rather than just a rehash.
Bay of Kotor: I’d add the fortifications climbing the hill above Kotor, maybe even hike up there. Also add the super-scenic restaurant at the spring?
Republika Srpska: Good choices: rich town (Trebinje) vs. poor town (Nevesinje). In Trebinje, aim for market day? Not much else to see in town, but there’s a huge church on the hillside above with glorious icons and historic ties to Kosovo–could provide good big-picture connection to “Serbia.” If we show bombed-out mosque in Nevesinje, I feel it’s only fair to also show bombed-out Serbian church in Mostar–powerful symbols of how the war was bad for all.
Near Nevesinje: I took a tour group to an ancient Orthodox church with a very charismatic local guide. It’d be fun to re-create. Mostar: Obviously this should be a major focus of the show. It’s a fine balancing act: It’s important to tell the story of the war and show the inspiring images of the survivors. It would be huge to get actual footage of the bridge being destroyed (like the movie in the museum) to splice into the show–really brings the story home. However, it’s also essential not to ignore the more typical “tourist” sights of Mostar: mosque visit, Turkish houses (these are fascinating with a good guide), shops and galleries on Coppersmiths Street. It’s a fine destination even without the war, so we don’t want to let a fixation on the war overwhelm the show.
Other Mostar experiences: Balkan food (grilled meats, ajvar, burek); smoke a hookah at the cool Open Sesame bar; Alma can explain the social ritual of Turkish coffee
Sarajevo: Frankly, we might have a show even without Sarajevo. Could save that for next time.
Skip: I would skip Cetinje (redundant with Serbian church stuff in Bosnia; also, I find it boring in person, probably even more so on TV) and Sveti Stefan (I think it’s still closed for renovation, and besides, it’s nothing more than a silly footnote. Might only be worth mentioning since it’s famous.)
From here, we decide which stops make the cut, establish a show structure, and actually write up rough eight-page scripts, which we’ll spend six days each on in May producing our new shows. We do that for ten more shows, and in October of 2010, we launch our next public television series.