New Bridges and Fresh Fish…Change in 2009

One of my favorite moments of 2008 was in Istanbul. The prayer service had just let out, and a sea of locals surged for the door. Being caught up in a crush of locals where the only way to get any personal space is to look up is, for me, a ritual connecting with humanity. I seek these opportunities out. It’s the closest I’ll ever come to experiencing the joy of body surfing above a mosh pit.

Going with the worshipping flow, I scanned the dark sky. That scene — one I had forgotten was so breathtaking — played for me again: hard-pumping seagulls powering through the humid air in a black sky, surging into the light as they cross in front of floodlit minarets.

Our society’s theme for 2009: change. I’ve been thinking about change and reflecting on the last year’s travels. Sometimes change is forced on you, as if caught in a teeming mob scene. Other times you plan for and dictate change — which seems like change, but is actually more of the same…just better designed.

 

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All societies morph with the push and pull of the times. Walking down to the Golden Horn inlet and Istanbul’s churning waterfront, I crossed the new Galata Bridge, which made me miss the dismantled and shipped-out old Galata Bridge — so crusty with life’s struggles.

Then I realized that, while the old bridge was gone, the new one’s been engulfed with the same vibrant street life — boys casting their lines, old men sucking on water pipes, sesame-seed bread rings filling cloudy glass-windowed carts.

Walking the new Galata Bridge and still finding the old reminded me how stubborn cultural inertia can be. If you give a camel-riding Bedouin a new Mercedes, he still decorates it like a camel. I remember looking at tribal leaders in Afghanistan — shaved, cleaned up, and given a bureaucrat’s uniform. But looking more closely, I see the bushy grey bearded men in dusty old robes still living behind those modern uniforms. I remember seeing a Californian who dropped out of the “modern rat race” in Katmandu — calloused almost-animal feet, matted dreadlocks, draped in sackcloth as he stood cane in hand before the living virgin goddess. Somehow I could still see Los Angeles in his eyes. The resilience of a culture can’t be overcome with a haircut and a shave — or lack of one — or a new bridge.

 

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On the sloppy adjacent harborfront, the venerable “fish and bread boats” were still rocking in the constant chop of the busy harbor. In a humbler day, they were 20-foot-long open dinghies — rough boats with battered car tires for fenders — with open fires grilling fish literally fresh off the boat. For a few coins, they’d bury a big white fillet in a hunk of fluffy white bread, wrap it in newsprint, and I was on my way…dining out on fish.

A few years ago, the fish and bread boats were shut down — they had no license. Now, after a popular uproar, they’re back. A bit more hygienic and no longer wrapping in newspaper — but they’re still rocking in the waves and slamming out fresh fish.

Regardless of where 2009 leads us (our retail sales, retirement accounts, stock market, the dollar versus the euro), we’ll still be rocking in the waves and slamming out fresh whatever-we-produce.

Hot Greece in the Winter…

I’ve been concerned about the riots in Greece (as are some of the people signed up on our Greece tours). We just got this report from Athens by David Willett, who leads our Athens & the Heart of Greece tours. I think David is brilliant on anything relating to Greece, and his report sums things up nicely. I thought I’d share his take on the problem with all of you. Here’s David’s analysis:

The police shooting of the boy was the catalyst for the rioting, but not the underlying cause.

The underlying causes are economic — static wages and spiraling prices, particularly for food and fuel.

The government is very unpopular and seen as insensitive. It’s also a lame duck, holding a single-seat majority in parliament. Its problems began with its pathetically disorganized response to last year’s wildfires, which occurred just before parliamentary elections that the government had been expected to win easily. Since then, it has been involved in a continuing major corruption scandal involving a land swap with one of Greece’s biggest monasteries.

Elsewhere, this mix might also lead to demonstrations, but in Greece things invariably turn violent. This is a legacy of the street protests and university sit-ins that undid the Greek colonels’ military junta in 1973, which had the effect of legitimizing violent street protest in the eyes of many Greeks. A general dislike of the police that borders on hatred at times is another legacy of the junta years, when the police were one of the tools of repression.

Greece has a lot of anarchists and fringe leftists, who have been out in force agitating as usual, but the intensity of what’s been happening shows how desperate the economic picture is for Greece’s many, many highly educated young people who graduate from university expecting something better than a €700-a-month job in a service industry. They are referred to as the “700-euro brigade,” and they are the ones who are angry.

I’m sure this will lead to an early election, but not to an early solution. I think Papandreou has infuriated many Greeks by sitting back and gloating during the riots instead of calling for calm. He has also fiercely opposed much-needed reform of the pension system, and reform of the bloated public service, so I don’t know what he has to offer.

Whoever holds the reins will be answerable to Brussels on economic policy — or rather to the European Central Bank, which lays down very strict guidelines to the Eurozone countries.

It will be very interesting to see whether the ECB takes this as a warning, and acts to head off similar problems elsewhere.

The good new is that no-one has tried to blame America for what’s happening. There hasn’t been a single march on the US Embassy, which lets us know that Greeks see this as a domestic/European problem.

I don’t foresee any problems for our tour schedule or for Americans in Greece as a result of what’s going on.

With Visions of Sugarplums and TV Scripts Dancing in My Head…

With the winter holidays, many look ahead to vacation travels in the next year. I look ahead wondering where I’ll take my TV production crew. Each winter now for twenty years, I’ve enjoyed sorting through my filming options and dealing with the nagging responsibility to commit to and write scripts so we can book our crew and set about getting permissions for our shoot. (The permission process is much tougher now than in past years, when we could “guerilla” just about anything.)

To choose new destinations for upcoming TV shows, I need to consider gaps in our library of episodes and places where I have new experience. Each year I shoot (on average) three shows in the spring (in Mediterranean Europe) and three shows in the summer (north of the Alps).

I have three major regrets in my last decade of TV production: Not making the jump to widescreen and high-definition until just after September, 2001, when I had a glorious 30 days of producing five of my favorite shows ever on Italy — which are now forever standard definition and clunky 4-by-3 format; not retiring my goofy-looking big “aviator” glasses sooner in favor of the smaller, more up-to-date ones I wear now (for many viewers, my shows come in two eras — with goofy glasses and after goofy glasses); and shooting a show combing the highlights of Croatia and Slovenia before I knew enough about either country to really do them justice.

This spring I’m thinking of replacing that old combo Croatia/Slovenia episode with three new ones covering Croatia and Slovenia, but also neighboring Bosnia-Herzegovina and Montenegro. Considering the big changes in the former Yugoslav states, and how much I’ve learned there (traveling with Cameron Hewitt, the co-author for our Slovenia & Croatia guidebook), I’m bursting with ideas for this new trio.

I hope to spend three weeks this May shooting three new programs: One on Dubrovnik with side-trips into Montenegro and Bosnia (Mostar, Sarajevo, and exploring the rougher “Serbian Republic” that makes up the non-Muslim part of Bosnia). One on Croatia (with a focus on the Istrian peninsula, including my new favorite Rovinj, and the underrated capital of Zagreb, along with the dramatic Plitvice Lakes National Park). And a third show entirely on Slovenia (with its cute little Adriatic coastline, bloody, high-altitude WWI battlefront, mountain resorts, charming capital of Ljubljana, and dramatic caves).

I just got a report from a friend after his third visit to Albania, and I’m tempted to travel there to scout for script purposes. Albania requires no visas of Americans and is wide open to travelers. Remember, it’s the place that gave President Bush such an enthusiastic welcome a couple years ago. Albanians absolutely love Americans for how we supported their ethnic brothers and sisters in Kosovo with their recent fight to separate from Serbia.

In order not to make the same mistake I made earlier about Slovenia and Croatia, I’ll be patient with Albania, travel plenty there first, and then — with a top-notch script — return with our public television crew and make that show.

Top Travel Memories of 2008

Just for fun, I thought I’d gather my favorite little travel moments of the last year (in no particular order):

Eating cod cakes at the bar with locals in Lisbon.

Being set up in Amsterdam for five days with a classy canalside hotel and my own bike.

Falling in love with Bruges again (and gaining an appreciation for Belgian beer).

Being stuck in a Tehran traffic jam and hearing my driver suddenly shout, “Death to traffic!”

Hopping on a water taxi to slam like a hydroplane around the Greek island of Hydra before getting off in the middle of nowhere to hike through fields of flowers for a grand Greek isle view.

In the Cinque Terre, meeting with “the Pharaoh” (megalomaniacal director of that national park) and debating and brainstorming ways to make that stretch of Italian Riviera better for American travelers.

Touring the Greek ruins of Paestum (south of Naples) with a guide who made it come to life for me after many visits when it left me cold (and distilling that wonderful tour into my new Italy guidebook for my readers).

Being with mourners at a martyrs’ cemetery in Esfahan, Iran (as they remembered their lost loved ones among the 250,000 Iranians who died fighting a US-supported Saddam Hussein and Iraq), and realizing it would be dangerously naive for America to think we could “shock & awe” those people.

Splashing with happy children in the warm water out at the spit on Denmark’s Ærø Island as the late summer sun set before sitting cross legged in the sand to enjoy a picnic dinner with the Ærøskobing mayor. Then he brought out his guitar and we sang Danish shanties.

Near ecstasy in my car, surrounded by cork trees and the vast beauty of Portugal’s Alentejo, as I headed for Évora and a fado concert.

Watching an imam call much of the old center of Istanbul to prayer at the base of a Blue Mosque minaret. In a dirty T-shirt, he held two circa 1970 mics to his face, closed his eyes, and warbled like an angel.

Having an excellent private guide for the day to better understand the prehistoric sights in and around Avebury, England.

 

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Researching restaurants with my Italian-speaking son Andy (who was studying in Rome) in a Roman neighborhood he knew better than me…and having him help me interview the chefs in Italian.

Ordering 12 different pizzas, each cut into 12 slices, for my family and Andy’s schoolmates as we enjoyed a 12-course pizza meal and lots of great red wine one night in Rome.

Being lectured by Eddie the Verger for telling tourists how to sneak into Westminster Abbey without paying (and then befriending him and enjoying a private tour of the generally-closed-to-the-public room where the scholars translated the Bible into the King James edition).

My son Andy trying to teach me to appreciate a fine cigar (on our deck, looking out at the Olympic Mountains).

Being shown special rooms (not open to the public) by the curator at Anne Franks House in Amsterdam that were still furnished as they were during WWII.

Interviewing a coffeeshop owner about intricacies of making your living selling marijuana in Amsterdam.

Discovering London’s new “Manhattan” at Canary Wharf, and having a drink surrounded by what seemed like a million English yuppies.

In Reutte, getting a private tour of the Ehrenburg castle complex by the archeologist in charge before being knighted by the town’s humble glitterati for sending Americans to their otherwise unknown corner of Tirol.

Wandering home late at night in Monterosso (in the Cinque Terre) after the restaurants were closed. I was exhausted after a great day of research and noticed all the best chefs in town, each in a solitary space, looking out as the Mediterranean, just as exhausted as I was. Each was enjoying a drink and a cigarette after wowing their customers with an evening of great dinners and I realized that we were all in the same game…working hard and happily for the travelers — thankful for gratifying work that we enjoyed.

Tweaking Iran

I’m midway through an eight-cities-in-eight-days pledge drive tour (Seattle-SFO-LA-SD-Chicago-St.Louis-Boston-Cincy-Portland). I just got to talk to an enthusiastic crowd of travelers here in St. Louis, and then we did a little four-episode travel marathon on TV.

Watching the shows, I was so thankful to have the chance to actually finish the programs. In our early days of production, there was never the time or money to really lovingly polish the shows. That was back in the analog days, when it was closer to literally snipping and taping bits of footage (back when “footage” was actually measurable that way), rather than the economic and efficient editing of our digital age.

Each TV program we make has a rewarding final process. I get to take home a “fine cut” and suggest tiny fixes before we “lock it in.” My routine is to relax and watch the show with Anne. Then I stay up late and watch the show again with my finger on the pause button and a pencil in hand. Before going to bed, I transcribe my scribbles into an email to my editor (Steve) and director/producer (Simon). The next day they do the best they can with what we shot to get the show as I envisioned it. We review it in the editing room, and I am generally thrilled with the final version. Those teeny tiny tweaks make the show so much more satisfying for me.

Just last week, we finished our upcoming Iran special. I ran across my comments to Steve and Simon that might give you an insight into this part of the production process. These are my little gripes and wishes (keyed into script sequence numbers) as sent to the crew:

Did we use man and child on cart at Shiraz citadel? — great faces

.3 Should we lose the first sentence (Like most Americans, I know almost nothing about Iran.)?

.4 Are there any loose concepts we should write into the opening montage? (perhaps it’s an opportunity to make complex issues more clear)

.4 Let’s use the goofy pink girls and me at end of montage (with sound up)

.7 Is there a better clip of crew working at the start?

.10 Better example of “traffic direction ignored”…footage of someone actually driving upstream?

.10 Better shot of me on motorbike in traffic?

.14 Consider saving the shot of the beautiful women (first clip) to use later. We don’t need to spend that one here.

.17a Confirm that Farsi is actually a different script than Arabic.

.17 What about the clips of the girls outside the Shah’s palace?

.20 The music here is distracting to me.

.24 At “emboldened,” I don’t like the tight on the European vase — show something in the Shah’s palace that is Persian?

.28 Tighter on “Death to USA” mural with script more explicit and thorough…see new script.

.36 Stay on my snap shot a moment longer?

.39 Was there an interaction with women in bookstore that we could use? I remember her demonstrating how the book reads backward.

.46 Must we have a drive-by revealing the road sign that means nothing in our script?

.47 Do we have a shot of reflective roofs for that line (when I talk of how they insulate in the heat of summer)? I wouldn’t want to lose the clip we have here…it just would be nice to see reflective tops from above rather than looking up at eves.

.55 Can you finish the diplomacy painting with a tight on the watermelon, please? Also, for the last line (invaded India), I had hoped we actually shot a battle scene to cover that, not more banqueting.

.73 Where we say “blessings,” do we have another clip of teens on a date in the paddleboats? Also, I think we should not use the quick clip to paddleboats later, but move that later one to the first.

.75a Can you cut out my voice to hear “we love them” better from girl in the back? (Sorry I kept stepping on people’s lines.)

.76 I’d love a couple more Esfahan-at-twilight shots. This is so different and magically beautiful.

.80 Add just a beat to the end of the on-camera.

.81 Finish bakery sequence with the guy pulling away with fresh bread on motorcycle?

.89 Man on cell phone is a great shot, but not ideal when we say “meditative.”

.90 Can we show a bit of fish in the pond, then dissolve into bird tile after showing woman kneeling with lover at pond?

.91 First shot of two women at table is mediocre. They look in pain. Any happier alternative?

.93 Rick taking photo is a good shot but here it seems unmotivated and fakey. This could be used to introduce a series of snapshots at the end if we need a way to get into photos.

.96 Flip the tilt down of cuneiform in three languages with the close-up of the cuneiform to better fit the text.

.104 Do we have a good take with “May” proceeding the last line in the on camera? May peace be upon us. That’s what I intended to say.

My wishes were generally doable, and Steve and Simon have made the show just gorgeous. It’ll air through the USA in mid-January. I hope you can see it. For more on our Iran project (including a four-minute video clip), see our Rick Steves’ Iran website.