Rome by Night

To commemorate the Smithsonian Presents Travels with Rick Steves magazine — now on sale online, and at newsstands nationwide — Rick is blogging about the 20 top destinations featured in that issue. One of those destinations is Rome after dark.

Once you’ve been out on the town in Rome after dark, going out for the evening in a big American city is never quite the same. Rome has a few fast-food joints, but they’re held at bay by a stony cityscape that celebrates slow food instead. Waiters have worked so long together that they seem to communicate on their own frequency as they scurry their dishes back and forth. Scruffy boys selling single roses circulate among sidewalk tables, testing a wary truce they’ve worked out with the restaurateur — and finessing sales pitches that almost add charm to the ambience. Cars are lodged sloppily on curbs, and black-and-white notices announcing the newly dead are pasted haphazardly to walls.

Each slice of downtown Rome changes throughout the day and evening. What might be a tiny vegetable market in the day (Monet painting) becomes a destination for dressy couples going out to eat in the evening (how do her high heels work on the cobbles?)…and then, late at night, an edgy gathering place for those who ate at home and are now all about drinking. Squares enlivened by fountains shine after dark. While the architect who designed those Baroque fountains had no inkling of electronic illumination, the fountains seem made-to-order for thoughtful floodlighting.

Back in 1999, I went to Rome ready to make a TV episode entitled “The Best of the Eternal City.” But as the millennium approached, the best of the Eternal City was all still under scaffolding. I was traumatized. I remember sitting down with my producer and cameraman at the hotel’s breakfast table and exploring our options. Half the visual icons of the city were marred by scaffolding. Not only would the show be ugly if we shot it as planned; but by the time it aired, all the scaffolding would be down, and the famous sights would be better-looking than ever — and just perfect for a TV crew like ours.

We considered going home; heading for Sicily to film a program there; or rewriting the script to give Rome a new angle. I had never done this before (and I hope to never do it again), but we decided to salvage something out of Rome and come up with a new script. The show was called “Rome: Baroque, After Dark,” and shooting the city after dark turned out to be a delight. Rather than arenas and temples, we enjoyed convivial piazzas with kids who kick soccer balls until midnight, hand gestures that mean “absolutely delicious,” and men fawning over their neighbors’ Vespas.

The shoot worked out fine. And two years later, in the next millennium, we came back and shot the show we had intended to shoot in 1999. The scaffolding was all down, and the Eternal City was spiffed up fit for a caesar.

The Mouth Cannot Be Finished until It Smells of Cows

Enjoying a dinner in one of my favorite Roman restaurants, I struck up a conversation with the couple at the next table, and eventually joined them. (It turned out they were Robert and Ina Caro; Robert is a two-time Pulitzer Prize-winning author for books on the Washington, DC power scene.) We were talking about how, in several of our favorite restaurants, the namesake owners eventually end up just shuffling around grating Parmesan cheese on their customers’ pasta. The restaurant is their life, their meaning, their persona, and it likely takes a toll on their family lives. As they grow older they really know nothing else.

We were talking about dessert with a man at a nearby table. I said, “For me, it’s cheese and a little more good red wine.” He told of how his grandfather always said, in local dialect, “La boca l’è minga straca se la spuza de vaca”— “the mouth cannot be finished until it smells of cows.” To the rustic foodie two generations ago, you must finish the meal with cheese.

The Caros were charming conversationalists and a joy to spend an evening with. I poured some of their water into my glass and was stunned at my first sip. The conversation was so stimulating, I just assumed they would be drinking their water frizzante(sparkling). I didn’t realize I was a snob about choice of water.

(By admitting to my bigotry in this area, I don’t mean to pre-empt my resident hecklers. Heckling is what makes London’s Speakers Corner so fun. And this blog is the Speakers’ Corner of my dreams.)

The Caros knew Paris very well but were in Rome for their first time. Ina described her first time in Rome like being well read and suddenly finding a great new author. I thought she was right (and that I should read more). I recalled the famous quote: “Living life without traveling is like having a great book and never turning the page.” Then I flipped it around: “Living life without reading is like having a passport but never using it.”

Either way, la vita è bella. Embrace it.

Fried Air and Big Fans in Rome

Flying from northwest Spain to Rome, my discount airline had a 10-kilo carry-on limit. I don’t recall ever actually weighing my bag when packing…but it turns out it was exactly 10 kilos (22 pounds).

I had a special reason to pack light on this trip. A month ago I flew to Europe — a bit nervously — one week after a hernia operation. Ten kilos was about all I could hoist. My doctor said there was no hurry to get it fixed, but I love feeling healthy when traveling…I didn’t want to travel feeling like bits of my guts were popping out like naughty chicks in an open basket. After a month on the treadmill of Iberia, I’m fit as a flamenco guitar.

Landing in Rome, I tried to stay mentally in Spain until I got all those guidebook files finalized and emailed back to my ETBD editors. But I failed. It’s so exciting to research this great city.

Rome has a fixed taxi rate: €40 to and from the airport. On the curb a big, new, officious sign (next to the €40 sign) said the trip cost €60. I asked a cabbie what he charged; he said €60 to the center. It seemed like a scam. Later I quizzed an honest cabbie; he explained that while city cabs are limited to €40, regional cabs can charge €60 because they’ll have to dead-head back out of the city. Many dishonest city cabs seize the opportunity to point to the sign and charge tourists €60. Any cab with “SPQR” on the door is a city cab and legally can only charge €40. Scam scuttled.

My theme this trip is to help travelers stretch their dollars and maximize their experience. Rather than opt for the taxi default (i.e. just pay the €40 and get right to my hotel), I decided to do the smart budget move and rely on public transit. I paid €11 to zip into town on the train and €16 for a one-week transit pass, which will cover all my bus, metro and tram travel in Rome for my stay. And I had €13 left over to go shopping and stock my hotel pantry with five days worth of juice, water, fruit, veggies and munchies. (I was impressed by what I lugged up to my room for little more than the cost of a plate of pasta.) It took me less than an hour door-to-door (from the airplane, to the train, to the central station, onto the bus and then a 100 yard-walk to my hotel).

I’ve been here four days now and only just stepped into the Pantheon. It was literally the most crowded I’ve ever seen it — a human traffic jam slowly flowing in, then out, with parents holding their little ones high as if to make sure they had enough air. I haven’t even seen the Colosseum, Forum, or St. Peter’s yet. I’m doing lots of hotels, restaurants and odd sights that are new to me or that I haven’t seen in over a decade (my researchers visit these places annually, when I can’t).

With my favorite local guide, Francesca, I revisited Ostia Antica (Rome’s ancient seaport, which rivals Pompeii and is a simple 30-minute side trip by train from downtown) and polished up my self-guided walk, in hopes of producing an audio tour covering this site this winter. We rented bikes for a pedal through the Villa Borghese. And, even though she hates the Cappuccin Crypt (with its thousands of neatly stacked human bones, designed artfully to remind us vacationers of our mortality), I got her to take me through it, and to translate the descriptions in each boney chapel for my new guidebook edition. (One chapel has a clock, without hands, made of bones — the explanation reads, “once Sister Death takes you there, the afterlife is eternal…there is no time.”)

With each Rome visit, I book a driver for an entire day. I generally line up all the hotels in town I need to visit in smart order on a page, and we systematically visit each one. With a car I can do three days’ work in a single day. This time, I spliced in three far-away sights I had yet to see: the Museum of the Roman Resistance (about the citizens’ heroics during the Nazi occupation), the Auditorium (a wonderful contemporary “park of music” concert venue designed by Renzo Piano — outside of town but clearly the way to connect with Rome’s culture scene), and the Catacombs of Priscilla (the cute, intimate, least visited — and now my favorite — of the catacombs).

At Ostia, I was frustrated with the worthless descriptions posted throughout the site. I read several, hoping to beef up my existing guidebook coverage. The words were many but worthless. I commented to Francesca that only in Italy are fancy guides called “docents,” and that the only place in Europe I’ve ever actually heard the English word “didactic” used is here in Italy — and from people trying to impress me. Francesca taught me the Roman concept of aria fritta — literally “fried air.” The phrase describes any wording, that’s, like these descriptions, greasy and heavy but contains nothing of value. Much of what tourists read and hear in Italy is aria fritta.

My challenge is to recommend guides that give meaning to the sights without being “didactic.” Rome’s walking-tour companies are many and hard working, but they frustrate me here. I meet lots of tourists here using my guidebooks and quiz them about their experiences. When one couple said, “We just took a tour from so-and-so’s company,” I asked “And how was it?” — because I had been concerned about the quality of teaching by that outfit’s guides. They said, “The guide was a sweet 23 year old Irish kid. He rattled off dates like you couldn’t imagine. And at the Vatican Museum, he showed us how, in one tapestry, the eyes of the guy follow you when you walk across the room. He joked that ‘Maybe it’s the carabinieri.’ In another tapestry, the table actually did the same illusion trick. It followed us across the room!” That was exactly what I’d feared. They loved the tour, but I think, while they were entertained, they learned almost nothing of value.

Yesterday, I spent two hours on another company’s tour and lived through one of my biggest pet peeves: guides who tell stories of things that happened in that neighborhood (with plenty of professorial qualifiers), but don’t tie the wealth of visuals surrounding you to the people living there, past and present.

You can read a book without flying to Rome. A walking tour (which costs triple the price of that book) should connect you vividly to the place: Sit on a threshold worn by the nervous heels of a century of prostitutes…eating a fava bean picked up from the market that, for a thousand years, has sold local peasants their standard green…under the watchful eyes of a hooded heretic whose statue reminds you that he was burned on this spot because this neighborhood — even with that papal palace looking down on it — was filled with trouble makers. And this neighborhood remains, to this day, Rome’s center of non-conformity.

I visited one café which I like and recommend, in spite of its lousy food, because it’s cheap, friendly, shady, and far from the tourists while close to the Colosseum. They’ve started advertising a “Rick Steves menu”: pasta, a hamburger, and a Coke. I told them that’s no Rick Steves menu. Updating this book is like weeding a massive garden.

Hiking back to my hotel, I met a couple both dressed as if out of a safari catalog and each very short. They got really excited and (in Lollipop Guild unison) said, “We’re your biggest fans.”

Euro Experiences from NW to SE — Part V

Let me stoke your travel dreams by sharing some of my favorite European experiences, roughly from northwest to southeast. Maximizing the experience is a dimension of smart budget travel that’s just as important in challenging times as saving money. Imagine these…

In Padua, Italy, sip wine with college students at an outdoor bar in the market square. Pour some fine olive oil on a dish, season with salt and pepper, rip a long strip from your bread, dip it, and bite. A student explained I was making the scarpetta — the little shoes. Soaking up the oil along with the conversation, we travelers become human scarpette,sopping up culture as we explore Europe.

Borrow a good knife from a friendly restaurant and hike from village to village through the terraced vineyards of Cinque Terre — Italy’s most exotic stretch of the Riviera coastline. Climbing through ancient terraces, surrounded by twinkling Mediterranean views and castle-studded villages, you’ll work up a thirst. Then, using a big leaf as a protective mitt, break off a spiny cactus fruit, peel it with your knife, and slurp it — sloppily savoring the sun and the fun as you explore the best of the Riviera.

When in Rome, drop by St. Peter’s early or late for a Mass at the high altar. With the alabaster starburst of the dove symbolizing the Holy Spirit before you, the greatest dome on earth rocketing above you, and the nearly 2,000-year-old tomb of St. Peter below you, eat the bread and drink the wine of the Eucharist with worshippers from around the globe. On the way out, kneel before Michelangelo’s Pietaand ponder what humankind can do for the glory of God.

In Bosnia, at the crest of Mostar’s single-arched bridge, survey the town that just over a decade ago was a killing field of sectarian strife. Take in the cityscape of crosses, spires, and minarets. Ponder the tragedy of Mostar’s recent past and the hope symbolized by the bridge upon which you stand — once bombed and now rebuilt. Then pay the kid in the bathing suit to make the dizzying jump from there into the river way, way below.

In Istanbul, wander away from anything of interest to a typical tourist, and find a convivial bar filled with Turkish men sipping tea and playing backgammon. Ideally, the bar has classic inlaid game boards — where their softer light wood is worn deeper than the harder dark wood, and stained with generations of laughter and smoke — and the players use handmade dice with unruly dots. Challenge a local to a game and gather a crowd. Learn to count in Turkish and holler the numbers as the dice are rolled. Bir, iki, üç, dört…Let the kibitzers move for you whenever you wonder which move is best. Expect to lose the game and gain a lifelong memory

Every corner of Europe offers magic moments like these to good travelers. Opportunities are rich and the stakes are high. Wherever you travel, meet the people, and understand the historic and cultural context of your sightseeing. Equip yourself with the best information and expect yourself to travel smart. Take the initiative not to just see your destination, but to experience it.

Love Fest in a Roman Stadium

I’ve always wanted to go to a football (“soccer” to Americans) game in Europe. But it takes the better part of a day, and my research and filming schedule has never allowed it. Last Sunday, my son Andy and I finally got to see a game…courtesy of Stefano (who runs Hotel Oceania). It was Rome against Florence.

Converging on the stadium, Stefano parked on a curb (tipping a couple of thugs to watch — or maybe just not vandalize — the car). I find Rome’s stadium evocative: surrounded by Mussolini-era statues (each a stern and glorious fascist hero), and mosaics still heralding “il Duce” and showing the fascisti(“bundle of sticks” — so much stronger than a single, easy-to-break one).

They’re cracking down on football fan violence all over Europe, and real progress is being made at taming the stands. Stefano said this particular game was considered high-risk for violence, so a single purchaser could only buy three tickets, and they wouldn’t sell seats together (something he’d never encountered). In order to lower the provocative police presence at stadiums, legions of security “stewards” are posted everywhere. You must show ID to buy a ticket, each ticket has your name on it, and you must show ID proving the ticket is yours to get in.

As it turned out, it was a tame game. But the spirit in the stadium is almost comically mean-spirited. At American college football games, when a player is down on the field, silence falls over the stands as players get down on one knee and pray. In Italy, when someone’s injured, they chant, Devi Morire! — “You must die! You must die!” Then, when the injured player is carried off, they sing, “You’re coming back, you’re coming back…in B division.” Why? Injuries are routinely faked.

The area beyond the goal is filled with the cheap seats designed for the most avid fans — they stand and sing the entire time, waving huge flags and tossing firecrackers that sound like a cannon firing. Every so often, the loudspeaker reviews the various financial, criminal, and team penalties that come with violent actions and racist and outlawed slogans.

Stewards surrounded the small contingent of Florence fans like a riot squad. After the game, they stayed in their seats while the Rome fans departed. Then the Florentines were escorted safely to their awaiting buses to return home (in this case, sad after a 1-0 loss).