Here you can browse through my blog posts prior to February 2022. Currently I'm sharing my travel experiences, candid opinions, and what's on my mind solely on my Facebook page. — Rick

Early Christmas Shopping in Naples (Shhh! Don’t Tell Mom!)

I’m done traveling for the year, but other members of my staff are still in the field. While I regroup from 100 days in Europe, I invited my frequent collaborator Cameron Hewitt to share some posts from his blog. Cameron has traveled about as much as me this year, updating our guidebooks in Italy and France, and turning our already strong material in Scotland into a stand-alone Rick Steves Scotland guidebook (due next spring). While Cameron and I are in perfect sync in terms of travel styles and priorities, he gives voice to the next generation of Rick Steves travelers. If you like Cameron’s insights, you can read much more on his travel blog, and you can also follow Cameron on Facebook. — Rick

Early Christmas Shopping in Naples (Shhh! Don’t Tell Mom!)

by Cameron Hewitt

South Italy adores its nativity scenes, called presepi. You see simple ones carved into the walls of urban streets and rustic villages. You see a huge one in the back corner of every church. And you see them for sale in shop windows all over Naples.

I happen to have a very close relative who collects nativity scenes. (And that person is also particularly difficult to shop for at the holidays.) With each trip to Naples, I have to fight the urge to buy her a big, fancy one, because how on earth would I pack it home?

But this trip, I was determined. So I asked my local friend Virgilio for help. Here are some photos from my very early Christmas shopping.

Tacky Presepi

In Naples, Via San Gregorio Armeno — a street that leads away from the historic Spaccanapoli pedestrian drag — is jammed with cheap presepi shops. While these are fine for a basic souvenir, the made-in-China quality wasn’t the special gift I was looking for. So Virgilio  took me to one of the most venerable presepi shops in Naples, owned by Signore d’Auria. They let us peek into their workshop, too.

Naples Presepi FiguresIn the workshop, building these Barbie doll-sized presepi figures is a painstaking process: They begin with an articulated metal skeleton, which is wrapped in string and padded with cotton to give volume to the body, and finally dressed with clothes as finely tailored as the real thing.

Naples Presepi Figures 2 Neapolitans’ affection for their presepi may stem from their deep family ties. “Each figure in a presepe becomes a new member of the family,” Virgilio explained.

Naples Presepi Sets

These travel-size presepi are more like it. And you get several small figures for the price of one big one. The level of detail is mesmerizing.

Naples DAurio

Signore d’Auria proudly poses with one of his fine presepi. The fanciest presepi, like the fanciest dinners, come under glass — a fragile dome called a campana (“bell”).

Virgilio offered to ship my presepe for me. He assured me it would be no problem. He was wrong. A few days later he called me with a regretful tone in his voice. “It may take longer than I expected,” he said. “Because presepi are an important part of our cultural heritage, the local cultural authorities must inspect the piece to ensure it is not artifact quality. It cannot be more than 50 years old.” He told me he had scheduled an appointment at the customs office to bring the presepe for authorization.

Apparently, my presepe got its emigration paperwork: Virgilio just emailed me to say that it’s in the mail. I’m in no hurry — as long as it arrives in Seattle in the next seven months, I’ll be fine.

Dining in Amalfi: Two Dinners, €25, No Contest

I’m done traveling for the year, but other members of my staff are still in the field. While I regroup from 100 days in Europe, I invited my frequent collaborator Cameron Hewitt to share some posts from his blog. Cameron has traveled about as much as me this year, updating our guidebooks in Italy and France, and turning our already strong material in Scotland into a stand-alone Rick Steves Scotland guidebook (due next spring). While Cameron and I are in perfect sync in terms of travel styles and priorities, he gives voice to the next generation of Rick Steves travelers. If you like Cameron’s insights, you can read much more on his travel blog, and you can also follow Cameron on Facebook. — Rick

Dining in Amalfi: Two Dinners, €25, No Contest

by Cameron Hewitt

The last two nights, I’ve had starkly different dinners in the town of Amalfi. Each one cost about €25. One of them I’ll remember for years. The other I’d already forgotten while I was still eating it.

Travelers have choices, and the best options are rarely the easiest ones. And this is never so true as when you’re restaurant-hunting. After a few days in Italy, I feel like I’ve seen the same menu dozens of times. Pasta with clams. Seafood risotto. Lasagna. Spaghetti Bolognese. Because this is the Amalfi Coast, they often throw some lemon in there somewhere. Only the restaurant’s name changes.

Last night, moments after arriving in town, I went looking for restaurants. On a relaxed little neighborhood piazza just a few steps from the main drag, I zeroed in on a promising-looking place. I grabbed a table, ordered a pasta, salad, and dessert, and — while the food was pretty good — the experience barely made an impact.

Tonight I got more ambitious. I had asked a local guide, who leads food tours in a neighboring town, where she eats when she’s in Amalfi. Her answer: Taverna degli Apostoli, tucked around the side of the cathedral’s grand staircase. And sure enough, it was the best meal of the trip so far. Here’s the play-by-play.

Service: Last night, I sat outside, a few feet from where the owner was trying to drum up business. His running banter with random passersby was comically desperate. “Hey! Where you from? You want a good meal? Very cheap ’cause we’re not on the main square. Come on! I promise you like it!” Entertaining as it was to watch him set his hook in a family of four from Vancouver, then expertly reel them inside, it distracted — and detracted — from my dining experience. Tonight at Apostoli, my soundtrack was mellow jazz rather than aggressive sales pitches, and the service was astute and warm. When I asked if the broccolini was particularly bitter, she gracefully acknowledged it was, and nudged me toward something else. When the table in front of me opened up, she suggested I scoot up for a better view.

Interior: Last night, it was the predicable red-and-white-checker-tablecloth-with-melting-candles atmosphere. You couldn’t tell if you were in Italy, or in Little Italy. Tonight at Apostoli, I peeked inside. It was a former art gallery, they explained, and they chose to keep that decor intact in the cozy upstairs dining room. And, while my experience outside was perfect for a hazy late-April evening near the sea, I could imagine very happily lingering over a meal inside, too.

Menu: Last night, it was a list of completely predictable standards. Tonight at Apostoli, the menu was thoughtful, intriguing, even educational…to borrow a trendy phrase, it felt curated. Things like pasta with anchovies and walnuts. (I didn’t have the guts to order that one, but now I wish I had.) I had the sense that these were all dishes I’d never heard of before, even though people here have no doubt been eating them for centuries. I couldn’t choose…and, I imagine, I couldn’t choose wrong.

Food: For me, the most important part of any dining experience is the food itself. Last night, the pasta was actually quite good: noodles that were clearly handmade, with stewed tomatoes, melt-in-your-mouth roasted eggplant, and gooey mozzarella. But the “mixed salad” consisted of greens on the verge of wilting, flavorless tomatoes, and a few kernels of corn from a can. I sprinkled more and more salt and balsamico onto the salad trying to tease out some flavor. I failed. Oh, and there were about five tasteless olives. At one point the owner peered into my salad bowl and said, “You’d better eat those olives! I paid for them!” Finally, the desert (delizia di limone, a lemony sponge cake) tasted store-bought. Tonight at Apostoli, the salad was a revelation: ripe cherry tomatoes, shaved fennel, hand-torn basil, and — that extra-mile finishing touch that distinguishes a great chef from a merely competent one — a few little flecks of raw garlic to pull everything together and make the flavors pop. The pasta was hand-cut ziti with a sauce I’d never heard of, genovese neopolitana: slow-simmered onions and celery, giving each bite a savory, rich, caramelized sweetness.

Decision: Apostoli, in a walk. You can guess which restaurant is going in the next edition of the Rick Steves’ Italy guidebook.

What’s to be learned form this? First, if you care about food, expect more from your meals. Don’t settle for the same old trattoria on the same old piazza. Seek out that special place that dares to upend the clichés. A very fine line separates restaurants that deeply care about food from restaurants that care primarily about making money. Fine-tune your radar to detect that difference.

And finally, don’t get stuck in the TripAdvisor rut. I find that restaurant ratings on TripAdvisor skew heavily toward crowd-pleasing tourist traps. Last night’s restaurant ranked in the mid-twenties on TripAdvisor; Apostoli is buried about 10 places lower. Based on my personal experience the last two nights, you can follow the herd — or you can challenge yourself to find something better.

My dinner at Taverna degli Apostoli, in Amalfi, looked like an artistic tableau. And it tasted good, too.
My dinner at Taverna degli Apostoli, in Amalfi, looked like an artistic tableau. And it tasted good, too.

So, You’re Really a Travel Writer?

cameron-hewittI’m done traveling for the year, but other members of my staff are still in the field. While I regroup from 100 days in Europe, I invited my frequent collaborator Cameron Hewitt to share some posts from his blog. Cameron has traveled about as much as me this year, updating our guidebooks in Italy and France, and turning our already strong material in Scotland into a stand-alone Rick Steves Scotland guidebook (due next spring). While Cameron and I are in perfect sync in terms of travel styles and priorities, he gives voice to the next generation of Rick Steves travelers. 

Right now, Cameron is heading to Croatia, Bosnia, and Slovenia, where he’ll be updating our guidebook to those countries. Then, he will be in Bulgaria and Romania where he’ll scout for our upcoming TV shoots there. He’ll be blogging from all of these destinations. In the meantime, for the next 10 days, I’ll be sharing dispatches here from Cameron’s summer travels. Today, we join Cameron in Italy, at a Sorrento B&B, where some fellow travelers had lots of questions about his job working with me as a travel writer. If you like Cameron’s insights, you can read much more on his travel blog, and you can also follow Cameron on Facebook. — Rick

 

So, You’re Really a Travel Writer?

By Cameron Hewitt

It’s 11 a.m. in Sorrento. I just arrived yesterday from Seattle for a five-week guidebook-updating trip in Italy and France. I should head out soon to get to work. But first I’ll procrastinate by sharing this exchange I just had at the breakfast table, with a friendly twentysomething couple from New York. Over the next few weeks, I’ll have this same conversation many times. Like these people, you may be curious what it’s like to update and write guidebooks for a living.

So, you’re really a travel writer?

Yes.

Like, you get paid to travel around and write about it?

That’s right.

Wow.

Uh-huh.

How do you get to be a travel writer?

It’s a combination of hard work and luck. You have to love traveling and love writing, and do both things as much as possible. I was an English major in college, and got a job writing movie reviews for my hometown newspaper. But no matter how well you prepare, you still need a break at some point to get your foot in the door. I started working at Rick Steves’ Travel Center, our retail store, and eventually got an opportunity to try updating some guidebook chapters. I worked hard, they liked what I did, and I got more and more work.

You must love your job!

[Reluctantly] Yes, It’s great.

What, don’t you love it?

No, I absolutely love my work! But it is work…very hard work. My friends have, understandably, zero tolerance for me complaining about my job, and I totally get it — I get paid to travel around Europe, for Pete’s sake! But it’s not easy, and it’s not always fun.

You may imagine “travel writing” is sitting at a café on a sun-dappled square, sipping a glass of wine or a cappuccino, and occasionally jotting down notes. But that’s not travel writing. That’s a vacation (with some light journaling). The reality is much more demanding, and often quite tedious. Basically, in every town I update, I personally visit each and every hotel, restaurant, museum, tourist office, laundromat, public toilet, train station, and so on, that’s listed in the book. That means lots of slogging around, having the same conversation a hundred times a day, figuring out ways to tease useful information out of a wide variety of people, and keeping very careful notes so I can write it up later…which usually happens after dinner, when I’m typing on my computer until 1 or 2 in the morning. The next day I get up and do it again…for five weeks in a row. It’s also physically demanding. When I updated the Rome book a year ago, my pedometer clocked 90 miles in seven days…all on foot.

Wait, doesn’t Rick write and update those books?

Yes and no. The series includes dozens of books, each of which is updated in person either every year or every other year. So there’s no way Rick could update all of them. That said, most people would be surprised (and impressed) by how involved Rick is in the books. He rotates which destinations he visits each year, so over time he sets foot in a major destination about every two or three years (at least), and in minor ones every four or five years. The rest of the time, it’s up to the other researchers, like me.

How many people work on these books?

Our office production team — editors, maps, and graphics — are about 14 people. (Our publisher, Avalon Travel Publishing, also has its own staff dedicated to Rick’s books.) There are about 20 people like me, who do research in Europe. There’s a lot of overlap — many of the editors also travel to update the books.

That doesn’t sound like many researchers, given the number of books Rick has!

We try to be very efficient with our time. Each chapter is budgeted the minimum amount of time we feel it’ll take to do a judicious update. And it’s a demanding job. If you ever run into any of our researchers in Europe, you’ll see that they’re constantly scrambling around. Fortunately, we have an outstanding team of researchers who understand our priorities and share a passion for travel — and for improving people’s trips.

Do you ever read other guidebooks, like Lonely Planet, or check out TripAdvisor to see how the competition matches up?

We don’t really view it as “competition.” What we do in our books is pretty specific; when I use Lonely Planet books, I’m struck by how different their focus is from ours. As for TripAdvisor, I do sometimes skim their reviews for hotels or tour companies, just to see if I’m missing something or to confirm my impressions. But I always corroborate anything I find there, independently and personally, before including it in our book.

This is a whole other conversation, but in general I’m a bit of a TripAdvisor skeptic. It’s become so powerful, and I’ve seen many businesses resort to aggressive tactics to boost their ranking — for example, a hotel offering its guests a free breakfast if they post a positive review. With hotels, keep in mind that the person reviewing a place on TripAdvisor only had an experience with one hotel in that town; a guidebook writer, on the other hand, has visited and assessed dozens, so they have a broader basis for comparison. I find TripAdvisor least helpful when it comes to restaurants; the listings can include some gems, but really skew toward tourist traps that we wouldn’t want to recommend in our books. (To try this out, just browse the rankings for restaurants in your hometown.)

In short, I use TripAdvisor as one of many sources of information — but like anything, I take it with a grain of salt. Many travelers I meet tell me they check the TripAdvisor ratings in conjunction with our guidebook’s description, and I think that’s the smart approach. But I also meet a lot of people these days who design their itinerary based exclusively on TripAdvisor rankings…and these people seem to be having a less successful trip than people who have done more homework. The sad thing is, because review sites tend to be an echo chamber, you may never even realize what you’re missing out on.

[lowering voice nervously] Wait, does this hotel know who you are?

Yes. Usually the hotel I stay at knows what I’m up to. When I visit other businesses during the day, I can choose whether to identify myself or “go incognito.” If we’ve gotten bad feedback about a place, I’m more likely to pretend to be a clueless tourists — just to see how they treat me. But other times, the espionage isn’t worth the trouble. For example, at museums, I identify myself immediately to make it easier to quickly update the information.

[noticing I’m getting a little antsy] It seems like you have a busy day ahead of you.

Yeah, sorry — I’d really better be going, if I’m going to get to everything on my list today. See you tomorrow at breakfast!

Gargoyles Hard at Work in Seattle

As a tour guide, it’s fun to show off Europe’s gargoyles. But it’s rare to actually show them in action — not scaring away evil spirits, but spewing rainwater away from their buildings. Yes, gargoyles are actually storm drains in disguise. When we designed our building here in Edmonds 15 years ago, we included eight of these ugly guys — which I believe are the only functioning gargoyles in greater Seattle. Here’s a little clip showing them actually working like the rest of us.