Daily Dose of Europe: Alsace and Colmar — France and Germany Mix It Up 

Can’t decide between France and Germany for your next trip? Why not do both at once…in Alsace.

Even if we’ve had to postpone trips to Europe, I believe a daily dose of travel dreaming can actually be good medicine. Here’s another one of my favorite travel memories — a reminder of what’s waiting for you in Europe at the other end of this crisis.

Biking down a newly paved but skinny one-lane service road through lush vineyards, I notice how the hills seem to be blanketed in green corduroy.

My Alsatian friend hollers at me, “Germany believes the correct border is the mountains behind us. And we French believe the Rhine — you can almost see it ahead — is the proper border. That’s why Alsace changes sides with each war. That’s why we are a mix of France and Germany.”

I yell back, “And that’s why you are called Jean-Claude Schumacher.”

The French province of Alsace is a region of Hansel-and-Gretel villages, ambitious vineyards, and vibrant cities. It stands like a flower-child referee between France and Germany, bound by the Rhine River on the east and the well-worn Vosges Mountains on the west. It has changed hands between the two countries several times because of its location, natural wealth, and naked vulnerability. Centuries as a political pawn have given Alsace a hybrid culture. Natives (with names like Jacques Schmidt or Dietrich Le Beau) who curse do so bilingually. Half-timbered restaurants serve sauerkraut and escargot.

Jean-Claude and I are exploring Alsace’s Wine Road. This Route du Vin is an asphalt ribbon tying 90 miles of vineyards, villages, and feudal fortresses into an understandably popular tourist package. The dry, sunny climate has produced good wine and happy travels since Roman days.

All along the road, dégustation signs invite us into wine caves. We drop by several. In each case, the vintner serves sips of all seven Alsatian wines from dry to sweet, with educational commentary.

There’s more to Alsace than meets the palate. Centuries of successful wine production built prosperous, colorful villages. Alsatian towns are historic mosaics of gables, fountains, medieval bell towers, ancient ramparts, churches, and cheery old inns.

Colmar, my favorite city in Alsace, offers heavyweight sights in a warm, small-town setting. This well-pickled town of 70,000 sees relatively few American tourists but is popular with the French and Germans.

Historic beauty was usually a poor excuse to be spared the ravages of World War II, but it worked for Colmar. Thankfully, American and British military were careful not to bomb the half-timbered old burghers’ houses, characteristic red- and green-tiled roofs, and cobbled lanes of the most beautiful city in Alsace.

Today, Colmar is alive with colorful buildings, impressive art treasures, and enthralled visitors. Schoolgirls park their rickety horse carriages in front of City Hall, ready to give visitors a clip-clop tour of the old town. Antique shops welcome browsers, and hoteliers hurry down the sleepy streets to pick up fresh croissants in time for breakfast.

By the end of the Middle Ages, the walled town was a bustling trade center filled with the fine homes of wealthy merchants. The wonderfully restored tanners’ quarter is a quiver of tall, narrow, half-timbered buildings. Its confused rooftops struggle erratically to get enough sun to dry their animal skins. Nearby, “La Petite Venise” comes complete with canals and gondola rides.

Colmar combines its abundance of art with a knack for showing it off. The artistic geniuses Grünewald, Schongauer, and Bartholdi all called Colmar home. Frédéric-Auguste Bartholdi, who created our Statue of Liberty a century ago, adorned his hometown with many fine, if smaller, statues. The little Bartholdi Museum offers a good look at the artist’s life and some fun Statue of Liberty trivia.

Four hundred years earlier, Martin Schongauer was the leading local artist. His Madonna in the Rose Garden is sublime. Looking fresh and crisp, it’s set magnificently in a Gothic Dominican church. I sit with a dozen people, silently, as if at a symphony, as Schongauer’s Madonna performs solo on center stage. Lit by 14th-century stained glass, its richness and tenderness cradles me in a Gothic sweetness that no textbook can explain.

The Unterlinden Museum, housed in a 750-year-old convent, holds the highlight of the city — Matthias Grünewald’s gripping Isenheim altarpiece. It’s actually a series of paintings on hinges that pivot like shutters. Designed to help people in a hospital suffer through their horrible skin diseases (long before the age of painkillers), the main panel — the Crucifixion — is one of the most powerful paintings ever. I stand petrified in front of it and let the vivid agony and suffering drag its fingers down my face. Just as I’m ready to sob with those in the painting, I turn to the happy ending: a psychedelic explosion of Resurrection joy. We know very little about Grünewald except that his work has played tetherball with human emotions for 500 years.

A hard-fought land on the conflicted border of Europe’s two leading powers, Alsace is also a powerful example of the high culture, cuisine, and art that results when two great nations mix it up.

(This story is excerpted from my upcoming book, For the Love of Europe — collecting 100 of my favorite memories from a lifetime of European travel. It’s coming out in July, and available for pre-order.)

Daily Dose of Europe: Rothenburg’s Night Watchman 

As we starve this virus by staying home, I keep imagining Europe in the Middle Ages as it suffered through repeated plagues. In a town like Germany’s Rothenburg, after dark, when the streets are lonely, you can imagine those “take out your dead” days when up to a third of the population (mostly the poor) died. The first symptom? Usually a sneeze. (That’s when people first started saying “bless you” after an ah-choo.) Thankfully, today’s pandemic is nothing like the Great Plague, and I’m confident that we’ll soon be back on those enchanting streets of towns like Rothenburg after dark. For a sneak preview, join me now in one of my favorite towns in Germany as we follow the “night watchman” on his entertaining rounds at twilight.

Even if we’ve had to postpone trips to Europe, I believe a daily dose of travel dreaming can actually be good medicine. Here’s another one of my favorite travel memories — a reminder of what’s waiting for you in Europe at the other end of this crisis.

The walled town of Rothenburg, midway between Frankfurt and Munich, offers the best look possible at medieval Germany. And in this theme park of a town, the best ride is the night watchman’s town walk. Each night through the tourist season, with his eyebrows frozen in a raised position, the night watchman listens to the clock tower clang nine times. Then he winks, picks up his hellebarde (long-poled axe), and lights his lantern. Welcoming the English-speaking group gathered in 15th-century Rothenburg, he looks believably medieval in his black robe, long curly hair, and scraggly beard. But the twinkle in his eyes admits, “I’m one of you.”

With an insider’s grin he begins: “It was a bad job, being medieval Rothenburg’s night watchman — low esteem, low pay, dangerous work. Only two jobs were lower: the grave digger and the executioner. Yes, this was a dangerous job. All the good people were off the streets early. He would sing the ‘all’s well’ tune at the top of the hour through the night. You didn’t want to hear the night watchman at three in the morning, but you were glad he was still alive.

“These days, the job’s more respectable: People take photos of me,” he continues. “And it’s no longer dangerous, because you’re all coming with me.” The night watchman’s camera-toting flock of 30 tourists, already charmed, follows his bobbing lantern down the narrow, cobbled lane.

Stopping under a sign announcing Kriminal Museum, we watch the rusted old dunking cage swing in the breeze. The night watchman walks over to the stocks that stand empty next to the museum door and says, “If you know what’s good for you, tomorrow you’ll visit our Kriminal Museum.”

He opens the top half of the stocks then slams it shut, saying, “A naughty boy might be put in the stocks. We rub salt on his soles and bring the goats. But inside, you’ll learn about more gruesome tools of torture and more embarrassing tools of humiliation.”

Pausing to survey the group, he adds, “Like a metal gag for nags.”

He scans the group again. His eyes stop on me and he asks, “Are you from Rothenburg?”

“Nein,” I say.

“Very good,” he says. “Please come here.”

As I move to the front he continues. “We were 6,000 here in Rothenburg. In those days, around here, only Nürnburg and Augsburg were bigger. The Kaiser made us a free Imperial City. Such a city was given special privileges. The top privilege: We had our own court of justice. Rothenburg’s citizens must be tried by their own court.”

Shaking his head sadly, he puts his robed arm on my shoulder. “And you are not protected by our court,” he announces. “We get a half day off when there’s a hanging. Do you know anything about Herr Baumann’s missing beehive?”

Again I say, “Nein.”

“You have no rights here, and we could use a half day off. You, my friend, have a problem. Local authorities might just allow a hanging.”

In the good old days, death sentences started with your basic execution and then got worse. The legal concept of “cumulation” meant a criminal’s punishments would multiply with his crimes. While that petty beehive thief might simply be hung, an adulterous beehive-thieving murderer could be dragged to the place of execution with painful stops along the way for pinching with red-hot tongs. If he were guilty of more crimes, he’d be tied to stakes over timbers so a big guy could bounce a wagon wheel on his arms and legs, breaking all his bones. Thoroughly “broken by the wheel,” he would then be woven through the spokes of that wheel and hoisted high for all to see. Finally, his hanging could be fast or slow. It depended on the verdict.

Sometimes even death wasn’t harsh enough. In cases when two capital offenses were committed, a criminal’s corpse would be “quartered” by four horses heading out in different directions.

A town’s gallows, a medieval symbol of justice, was placed high for more spectacle. The most important criminals were hung on higher platforms in anticipation of greater crowds. Bodies of particularly dishonorable criminals were left out to rot. Some were left in a cage so birds could get to their bodies…but relatives couldn’t.

Looking at me again, the night watchman says thoughtfully, “So, you’re not from Rothenburg.” Then, turning abruptly, he walks down the street. Mesmerized, we follow.

He stops under an old-fashioned streetlight and says, “It was a dirty time.” Pointing with his boot to a gutter in the cobbles, he continues, “All the garbage — from the people and from the animals, too — it went into the road. They had this ditch in the middle of the street. People tried to hit the ditch. This was not a good system. Summer was stinking. The rich left for countryside homes. Back then it wasn’t the Romantic Road. It was the Filthy Road. And this filth gave us the plague. The plague was a big killer. In one terrible year, in Rothenburg…one out of every three people died.”

We follow him farther to the ramparts at the edge of town. Overlooking the valley, the watchman says, “Rothenburg was never conquered until 1631. There was a siege. The armory, which was along this wall, blew up. Double disaster: We had a hole in the wall and no ammunition to make a defense. To be looted by 40,000 mercenaries was no fun. They were Catholics, so it was even worse.

“Our town was broken. And for the rest of the Thirty Years’ War, Rothenburg lay wide open, undefended. We were sacked many times. Between lootings we suffered plagues.”

Popping from an alley back onto the main square, our hooded friend concludes, “From 1648 — when the war and plagues stopped — time stood still in Rothenburg. Centuries of poverty…and nothing changed. Rothenburg’s misfortune put the town into a deep sleep. And that is why you are here today. Now I must sing the ‘all’s well.’”

After finishing his short melody, he blows a long haunting tone on his horn. Then he ends by saying, “You, my friends, should hurry home. Bed is the best place for good people at this hour.”

(This story is excerpted from my upcoming book, For the Love of Europe — collecting 100 of my favorite memories from a lifetime of European travel. It’s coming out in July, and available for pre-order. And you can also watch a video clip related to this story: Just visit  Rick Steves Classroom Europe  and search for Rothenburg.)

Daily Dose of Europe: After Hours at a German Stammtisch

In Europe’s tourist towns, the best social moments combust after a long day of work, and after the guests say good night.

With so many of us stuck at home for the foreseeable future, I believe a daily dose of travel dreaming can actually be good medicine. Here’s another one of my favorite travel memories — a reminder of what’s waiting for you in Europe at the other end of this crisis.

After hours in an Irish pub in Galway, the door is locked and the musicians play on. On the Italian Riviera, the dishes are washed, the anchovies are eaten, and the guitars come out. And in small-town German hotels, the family and the hired help stow their workplace hierarchy with their aprons and take out a special bottle of wine.

During many visits to Rothenburg, Germany’s ultimate medieval town, I’ve sat down hurriedly at the Golden Rose restaurant to update my guidebook listing, then dashed away. Tonight, I’ve decided to sit down and simply relax with the Favetta family. We gather around the Stammtisch: the table you’ll find in most German bars and restaurants reserved for family, staff, and regulars. (An invitation to the Stammtisch is a good life goal.) Except for our candlelit table, the once noisy restaurant is empty and dark.

Well into our second glass of wine, we indulge in the sport many in the tourist business enjoy: cultural puzzles. The daughter, Henni, asks me, “Why can’t Americans eat with a knife? You cut things with your fork.”

I confess I know nothing about holding silverware. And just to hit a Yankee when he’s down, she adds, “And you people love to drink plain water — we call this water the American Champagne. But you never eat liver or blood sausage. The Japanese love those.”

I ask Henni if it’s not dangerous to generalize about other cultures.

She says, “Even deaf people generalize.”

When I ask how, she explains with the help of her hands. “In international sign language, ‘Germany’ is my finger pointing up from my head,” she says, making a fist-and-finger Prussian helmet. ‘France’ is this wavy little mustache,” she continues, wiggling a finger across her upper lip. “And ‘Russia’ is the Cossack dancer.” Henni bounces on her chair and hooks her thumbs at her waist, while her index fingers do a jaunty little cancan dance.

“And what’s the sign for America?” I ask.

“The fat cat,” she says, propping up an imaginary big belly with her arms.

Her father, Rino, whose English is worse than my German, struggles to follow the animated discussion. Whenever the conversation reaches a spirited tempo, he jumps in, brings it to a screeching halt, and sends it in a completely new direction.

Pretending to add to Henni’s thoughts, he leans over to me. As if a magician sharing a secret, he holds his hand palm down in front of my face. Stretching his thumb high and out, he forms a small bay in the top of his hand. Peppering in a little snuff tobacco, he announces, “Snoof tobak.” With Henni’s help, Rino clarifies. Struggling with the word, he says, “anatomical snuffbox,” and snorts. With a quick sniff, I try it, and it works.

As noses wiggle, I ask Henni if living in a tourist fantasy-town gets old.

“I will live and die in Rothenburg,” she answers. “Teenagers here dream of leaving Rothenburg. One by one they try the big city — Munich or Nürnberg — and they come home. Summer is action time. Winter is quiet. The tourists, they come like a big once-a-year flood. We Rothenburgers sit and wait for you to float by.”

“Like barnacles,” I add cheerfully, even though I figure that word is not in Henni’s English vocabulary.

Henni looks at me like I just burped. “People who live here have magic vision,” she says. “If we want to, we can see no tourists and only local people. Rothenburg is a village. We know everyone.”

The impromptu party continues as I learn that, even in the most touristy town in Germany, you can still make a genuine, cross-cultural connection. Sitting at the Stammtisch after hours, this conversation becomes my treasured souvenir.

(This story is excerpted from my upcoming book, For the Love of Europe — collecting 100 of my favorite memories from a lifetime of European travel. It’s coming out in July, and available for pre-order. And you can also watch a video clip related to this story: Just visit  Rick Steves Classroom Europe  and search for Germany.)

Daily Dose of Europe:  Baden-Baden — Getting Naked with Strangers

Relaxing at the spa resort of Baden-Baden in southern Germany’s Black Forest, I see more naked people in two hours than many Americans see in their entire lives.

Travel dreams are immune to any virus. And, with  so many of us stuck at home,  I believe a daily dose of travel dreaming can  actually be  good medicine. Here’s  another one of my favorite travel memories — a reminder of what’s waiting for you in Europe  at  the other end of this crisis.

Ever since the Roman emperor Caracalla bathed in the mineral waters here, Baden-Baden has welcomed those in need of a good soak. In the 19th century, the town was Germany’s ultimate spa resort, and even today, the name Baden-Baden is synonymous with relaxation in a land where the government still pays for its overworked citizens to take a little spa time. And since the beginning, the dress code has always been naked.

Americans who can’t handle nudity don’t know what they’re missing. My first time was with some German friends — a classy, good-looking young couple. We were swept into the changing area with no explanation. Suddenly they were naked and I felt like the Road Runner just beyond the cliff’s edge. Then — easing up, and stripping down — I realized it’s not sexy…simply open and free.

For me, enjoying the Friedrichsbad Roman-Irish Baths in Baden-Baden is one of Europe’s most elegant experiences. Traditional, stately, indoors, these baths are extremely relaxing… and not very social. It’s just you, your body, and an unforgettable experience.

Wearing only the locker key strapped around my wrist, I start by weighing myself — 92 kilos. The attendant leads me under the industrial-strength shower. This torrential kickoff pounds my head and shoulders and obliterates the rest of the world. He gives me plastic slippers and a towel, ushering me into a dry-heat room with fine wooden lounges — the slats too hot to sit on without the towel. Staring up at exotic tiles of herons and palms, I cook. After more hot rooms punctuated with showers, it’s time for my massage.

Like someone really drunk going for one more glass, I climb gingerly onto the marble slab and lay belly-up. The masseur holds up two mitts and asks, “Hard or soft?” In the spirit of wild abandon, I growl, “Hard,” not even certain what that will mean for my skin. I get the coarse, Brillo-Pad scrub-down. Tenderized like a slab of meat, I feel entirely relaxed. The massage is over, and with a Teutonic spank, I’m sent off into the pools.

Nude, without my glasses, and not speaking the language, I bumble like Mr. Magoo in flip-flops through a series of steam rooms and cold plunges.

The steamy labyrinth leads to the mixed section. This is where the Americans get uptight. The parallel spa facilities intersect, bringing men and women together to share the finest three pools in Friedrichsbad. Here, all are welcome to drift under the exquisite domes in perfect silence, like aristocratic swans. A woman glides in front of me, on her back. Like a serene flotilla, her peaceful face and buoyant breasts glide by, creating barely a ripple. On my right, an Aryan Adonis, staring at the ethereal dome, drapes himself over the lip of the pool. Germans are nonchalant, tuned in to their bodies and focused on solitary relaxation. Tourists are tentative, trying to be cool…but more aware of their nudity. I remind myself there’s nothing sexy about it. Just vivid life in full flower.

The climax is the cold plunge. I’m usually not a fan of cold water — yet I absolutely love this. You must not wimp out on the cold plunge.

For my last stop, the attendant escorts me into the “quiet room” and asks when I’d like to be awakened. I tell him closing time. He wraps me in hot sheets and a brown blanket. Actually, I’m not wrapped…I’m swaddled: warm, flat on my back, among 20 hospital-type beds. Only one other bed is occupied; the guy in it is as still as a corpse. I stare up at the ceiling, losing track of time and myself. Sometime later, I’m jolted awake by my own snore.

As I leave, I weigh myself again: 91 kilos. I’ve shed two pounds of sweat. It would have been more if tension had mass. Stepping into the cool evening air, I’m thankful my hotel is a level, two-block stroll away.

Back in my room, I fall in slow motion onto my down comforter, the big pillow puffing around my head. Wonderfully naked under my clothes, I can only think, “Ahhh…Baden-Baden.”

(These daily stories are excerpted from my upcoming book,  For the Love of Europe — collecting  100  of my favorite memories from a lifetime of European travel, coming out in July.  It’s available for pre-order. And you can also watch a video clip related to this story: Just visit Rick Steves Classroom Europe and search for Germany.)

Daily Dose of Europe: Munich — Where Thirst is Worse than Homesickness 

Our “social distancing” times have me especially nostalgic for some of Europe’s great gatherings: the Italian piazza…the Spanish paseo…and the German beer hall.

Because of the coronavirus, Europe is effectively off-limits to American travelers for the next few weeks (and likely longer). But travel dreams are immune to any virus. During these challenging times, I believe a daily dose of travel dreaming can actually be good medicine. Here’s another one of my very favorite travel dreams-come-true…a reminder of what’s waiting for you in Europe on the other end of this crisis.

Heading for the Hofbräuhaus in Munich, I mention to my Bavarian friend, Friedrich, that I’d love to give this venerable beer hall some significance in my guidebook description. Unconvinced that “significance” is worth seeking at a beer hall, he quotes Freud: “Sometimes a cigar is just a cigar.”

Stepping through its stubby stone arcade, we wade through the commotion of a thousand people — eating, drinking, yelling, and laughing — down a long corridor to the center of the cavernous hall.

The smoke-stained ceiling painting, repaired after WWII bomb damage, is an evocative mesh of 1950s German mod: Bavarian colors, cheery chestnuts, and old-time food, drink, and music. A slogan arcing across the ceiling above the oompah band reads, “Durst ist schlimmer als Heimweh” (“Thirst is worse than homesickness”). Friedrich explains: “Drink a beer, and you worry no more.”

Many of my most vivid, if still a bit fuzzy, Munich memories are set in beer halls. Locals always seem up for a visit. And for traditional Bavarian fun, nothing beats this scene, complete with rivers of beer, cheap food, noisy fun, and oompah music.

The music is loud. The musicians’ shiny lederhosen accentuate huge bellies, which in turn accentuate bird-like legs. With knowing smirks, they conduct a musical liturgy from the stage. The boisterous crowd rises to its feet in well-practiced unison for the beer hall anthem, “Eins, zwei, zuffa.” (“One, two, drink.”) This is followed by a ritual of clinking and drinking. The hefty glass mugs clink solidly, encouraging that very Teutonic sport of toasting.

Friedrich and I settle in at a long table and survey the chaos. Apart from the “under 35” party tour groups, it’s a three-generations-together scene. Kids build houses out of beer coasters while moms sip Radlers, a nearly dainty mix of beer and lemonade, and old-timers sport felt hats festooned with pins and feathers.

Beer halls give you what you need. If you don’t have a partner, you can talk to yourself. One guy tries doggedly to hold his head up. His neighbor peers down at his spiral-carved radish as if he dropped a thought into it. Another man, with a mouthful of pretzel, really believes the band is following his dramatic conducting.

I ask Friedrich if they sell half-liters. He says, “This is a Biergarten, not a kindergarten.” Soon a busy beer maid brings us each the standard full Mass, or liter glass (about a quart, nearly what we’d call ein pitcher). She scurries between tables, plopping down dinners and garnishing them with mustard packets pulled from her cleavage. I look over at Friedrich. Finishing a giant swig from his giant beer and licking the foam from his upper lip, he says, “Only in Bavaria.”

Beer halls are craziest during Oktoberfest, but you can dance to raucous bands, munch massive pretzels, and hone your stein-hoisting skills any time of year.

Beer halls always impress me with their long ranks of urinals. Often, life-size posters of dirndl-clad maidens are hung from high on the walls, pointing down and laughing at the men with their zippers down.

Watching the legions of happy beer-drinkers, it occurs to me that, unlike with wine, more money doesn’t get you a better beer. Beer is truly a people’s drink — and you’ll get the very best here in Munich. Each connoisseur has a favorite brew and doesn’t have to pay more to get it…they simply go to the beer hall that serves it.

Many beer halls have a big wooden keg out on display, but these days most draw beer from huge stainless-steel dispensers. If you’re at a beer hall that uses classic old wooden kegs, your evening comes with a happy soundtrack: Every few minutes you’ll hear a loud whop! as they tap a new keg. Hearing this, every German there knows they’re in for a good, fresh mug.

Gemütlich is the perfect word for Bavaria’s special coziness. It’s a knack for savoring the moment. A beer hall is a classic gemütlich scene. Spend an evening clinking mugs with new friends, immersed in this boisterous and belching Bavarian atmosphere. The warm and frothy memories are yours for the taking.

(This story is excerpted from my upcoming book, For the Love of Europe — collecting 100 of my favorite memories from a lifetime of European travel, coming out in July. It’s available for pre-order. And you can also watch a video clip related to this story: Just visit Rick Steves Classroom Europe and search for Munich).