Here you can browse through my blog posts prior to February 2022. Currently I'm sharing my travel experiences, candid opinions, and what's on my mind solely on my Facebook page. — Rick

Getting Dizzy at the Vatican

Perhaps the most beautiful spot in all of Europe is inside the Sistine Chapel, surrounded by the artistic riches of the Renaissance. Above you is a celebration of Humanism, with God giving an impressive Adam the “spark of life.” And behind the altar, filling the front wall, is the Last Judgment.

The only downside of a visit here is that it’s jam-packed with people, and there’s an annoying loudspeaker requesting everyone to be quiet. Now, the Vatican Museum has released a cool Web tool that lets you be all alone (virtually) in the Sistine Chapel…just you and the brilliance of Michelangelo and the theological points he was hired to make ‘ as only he could.

This website is probably your only opportunity to get so dizzy you fall, if not onto the ornate inlaid-marble floor, at least off your computer chair. Motor with a left click on your mouse to the ceiling, with God giving Adam life in the center. Then, holding down that left click, slide to the left and twirl, riding the Creation merry-go-round. Then, pick yourself up off the virtual floor and head over to the Last Judgment on the front wall. Click the zoom (+) button in the lower corner to push into Christ.

While the ceiling is the celebration of Creation from a positive, Humanist perspective, the Last Judgment was done later. It’s Counter-Reformation art ‘ a powerful and, I imagine, very effective response to the Protestant Reformation ‘ in which a vindictive Jesus is coming down on Judgment Day, arm raised, with Mary cowering at his side, as if no longer able to intervene for people who were led astray.

Put yourself in a 500-years-ago frame of mind as you venture to the left (where people are going to heaven) and then to the right ‘ where sorry souls are plummeting down, down, down.

While floating through this incredible chapel is a fun virtual experience, it also makes me thankful to be able to experience the great artistic accomplishments of our civilization both in silico (via Web simulation) and in person.

Fighting Hunger in Des Moines

Farmers in Asia, including this farmer in Bangladesh, have benefitted from the Green Revolution, but there is still more work to be done. (photo credit: Bread for the World)

I just enjoyed a fascinating little vacation in a place I’d never been: Des Moines, Iowa. I shared my time off with a thousand people from 65 nations. It was part of my new ethic: When invited to experience something out of the ordinary, like the World Food Prize Award Ceremony, just say “yes.”

I was there to help honor one of the prizewinners: David Beckmann, president of Bread for the World, whose goal is to encourage our government to consider the needs of the world’s poor and hungry. Simply put, it lobbies for hungry people. As a friend of David’s and a longtime supporter of Bread for the World, I was invited to the festivities, which included a daylong international symposium on hunger.

The dinner conversation was curious. People shared tips on getting African villagers to embrace their new drought-resistant corn seeds, even though the kernels were yellower than normal. Someone else was excited about a new strain of rice with a “snorkel gene” so that it can grow tall enough to survive floods. And all marveled at how the chocolate cake was soy-based and still tasted fine.

Thanks to the efforts of many non-profit groups, millions of Africans, such as this mother in Zambia, have schools, clinics, and seeds with money that would have otherwise gone to interest payments on debt. (photo credit: Margaret W. Nea)

Each meal came with a speaker. There was an impressive esprit de corps, where all of us were just knuckling down to the business at hand. No one was debating whether or not our climate was warming up. One speaker summed up the sentiment: “We need to get a higher yield on the same land in harsher weather and that requires scientific progress. Drought, flooding, and pests will rise with the world’s temperatures, and the science of smart agriculture must rise with it.”

Speaker after speaker shared their experiences. Jeff Raikes, CEO of the Bill and Melinda Gates Foundation, showed a slide of himself at the side of a feeble Norman Borlaug, the late hero of this movement. The reason why we were all in Des Moines is because Iowa is where Borlaug was born ‘ and where the World Food Prize Foundation has its headquarters. Borlaug, who bred new strains of wheat to get disease-resistant varieties with higher yields, is credited as being the father of the Green Revolution (which dramatically reduced hunger in South Asia). Seeing the photo of Raikes with Borlaug reminded me of a priest who treasured a photo of himself with the pope. With the spirit of Borlaug ‘ whose last words, “Take it to the farmer” ‘ were ever-present, Raikes’ talk was an inspiration.

The hotel ballroom was filled with giants of compassion from across the globe. Hearing former UN Secretary General Kofi Annan speak, I was touched by his charisma and passion. US Secretary of Agriculture Tom Vilsack shared a panel with Mohammad Asif Rahimi, Afghanistan’s minister of agriculture. The topic was keeping young people interested in farming ‘ a challenge in the developed world. We, for example, have 4-H Clubs to stoke interest as fewer young people choose to work on the land. When asked about Afghanistan’s stance on this challenge, Minister Rahimi said, “Remember, in your society one percent of the people are farmers. In Afghanistan, 80 percent of our people are farmers. Encouraging young people to farm is not an issue for us.”

David Beckmann, president of Bread for the World, is a winner of the 2010 World Food Prize. (photo credit: Bread for the World)

Speakers like Raikes, Annan, Gregory Page (CEO of Cargill), and David Beckmann (president of Bread for the World) filled the forum with challenging ideas. This was a gathering not of idealistic, bleeding-heart liberals, but of civil servants, scientists, and business leaders. While we appreciated Gandhi’s reminder that “Nature provides for everyone’s need but not everyone’s greed,” no one questioned the fundamentals of capitalism. Market wisdom like “Predictable pricing gives small farmers courage to invest,” “Agriculture and affluence must grow together,” “You can’t eat potential,” and “Real opportunity to feed the world lies in supporting work of small and family farms” was embraced. Jo Luck (president of Heifer International) took Borlaug’s last words one step further, encouraging all of us to “Listen to the farmer.”

Along with powerful leaders, I also met heroic and inspirational pew-sitters and soccer moms like Elaine VanCleave ‘ an avid supporter of Bread for the World from Alabama. Elaine was moved to help hungry people in Africa. She personally met with her US representative, Spencer Bachus, a Republican who prides himself on his conservatism. He admittedly had never given Third World debt and its consequences on hungry people much thought. Bread for the World simply can’t motor legislation to help hungry people without bipartisan support. For debt relief to even get to first base, it needed the support of Bachus, who chairs a key committee. Elaine mobilized her neighbors, and together they educated Bachus.

Congressman Bachus eventually did more than just say OK. He enthusiastically embraced the cause, helping spearhead a multi-billion-dollar debt relief bill that gave the world’s most heavily indebted nations a chance to rise out of poverty. The human benefits of this are mind-blowing; literally millions of poor Africans now have schools, clinics, and seeds with money that would have otherwise gone to the First World for interest payments on debt. Elaine demonstrated how legislators care, how they sometimes just need to be educated on this issue, and how fighting hunger is neither liberal nor conservative. It’s simply the right thing to do in a world where there’s plenty of food ‘ and issues of buying-power and distribution are all that stand between a billion people and freedom from hunger.

When I hear people talk endlessly about “tough economic times in America,” I try to keep things in perspective. By any measure but our own, we are a wealthy nation. Our challenge is a smart distribution of our national wealth. The reality is that in the developing world, a billion people have no food security ‘ families are struggling to live on $1 a day. If your family is living on $1 a day, 70 percent of your family budget is spent on grain. There’s little concern for meat or fruit or vegetables or dessert. You need enough grain to stay alive. And when the cost of grain suddenly goes up 50 percent…that’s a crisis.

The climax of the World Food Prize festivities was under the dome of the grand Iowa State Capitol. As we arrived, a high school band snapped to attention and then played fortissimo on the capitol steps. A red carpet led through security into the legislative chamber, where the governor of Iowa welcomed senators, representatives, World Food Prize laureates, and this year’s prizewinners. Sitting between Lutheran bishops and “excellencies” such as the agriculture ministers of Burkina Faso and Pakistan, I felt like I was at a coronation.

In addition to David Beckmann, the other laureate this year is Jo Luck, president of Heifer International. Under her creative leadership, the group provides livestock, seeds, and training to extremely poor families so that they have better nutrition and can start a small business. (To learn more about David Beckmann and Jo Luck, watch this video.)

While Heifer International provides direct aid, Bread for the World is a new type of honoree. This is the first time the leader of an advocacy group has been given this prize. Advocacy, as explained in David’s new book Exodus from Hunger (www.exodusfromhunger.org), is channeling energy to change government policy for a cause ‘ rather than dealing directly with the cause. In his book, he explains how all private US aid for the world’s hungry amounts to just six percent of our governmental aid. So a drop in governmental aid of just six percent negates all the good generated by those hard-earned and well-meaning charitable contributions. Conversely, an increase in governmental aid of just six percent doubles our nation’s philanthropic will. (A common misperception among the American electorate is that we are more generous with foreign aid than we actually are. Less than one percent of our national budget goes to developmental aid.)

I appreciate Bread for the World because it has taught me the economics of hunger and structural poverty. With all my travel experience, I’ve gained empathy for the struggles of people in developing nations, but my concern used to be confused and directionless. Understanding the basics of structural poverty put my compassion into clear focus. I believe the vast majority of Americans (whether regular citizens or politicians) are good and caring people, but we often need help when it comes to putting hunger in perspective. And when it comes to the needs of the desperately poor, we can’t let overblown threats to our own security and well-being hijack our compassion.

David’s acceptance speech was inspiring. He concluded, in a soft voice that filled that grand hall, with powerful challenge: We need to change the politics of hunger. In the privacy of the voting booth, we should vote not for our economic self-interest, but for candidates who will help the hungry.

This was a great travel experience, and anyone is welcome to attend. Going to Des Moines to celebrate World Food Day, and be inspired by people who have committed their lives to feeding the world’s poor, is something that’s affordable. If you can afford a trip to Disneyland, you can afford this experience ‘ you just need to be interested. Next year on or near World Food Day (Oct. 16), Des Moines will host the 25th annual World Food Prize Award Ceremony and the Borlaug International Symposium.

While sorghum and wheat rust are not things I tend to think about, being with a thousand people dedicating their lives to fighting hunger gave me inspiration. Flying home, I was plunged back into a world of video games, People magazine, football fans, and regular Americans with fears and real personal struggles. And, as hoped for three days ago when I landed at Des Moines’ tidy little airport, I flew home a different person.

My European Top Ten

I was recently asked about my top-ten things to see or do in Europe. I thought I’d share them with my blog and Facebook friends:

1. Hang out on the cliffs (literally) on the West Coast of Ireland where they say, “Ahh, the next parish over is Boston.”

2. Be all alone in the Pantheon early or late in the day in the building that ‘ more than any other ‘ gives us a feeling for the magnificence of splendor of Rome at its zenith.

3. Play backgammon in a rough-and-tumble Istanbul suburb with handmade dice on a board with softer wood worn below the harder wood, while I’m surrounded by whiskered tea drinkers as curious about me as I am about them.

4. Sit outside the stout walls of Dubrovnik in a rustic bar sipping a local beer while cruise ships sail into the sunset.

5. Be on St. Mark’s Square late in the evening when the orchestra seems to be playing just for fun, and only the locals and hard-core romantics remain.

6. Stand atop the new glass dome of Berlin’s Reichstag and get teary-eyed with Berliners so excited that their city is one again and that Germany is looking, together, into a promising future.

7. Canoe down the Dordogne River in France under imposing castles working up an appetite for foie gras, fine cheese, and full-bodied red wine.

8. Stand atop the Rock of Gibraltar looking out at Morocco and consider the strategic importance of a fort here effectively bottling up the Mediterranean in the old days.

9. Sit on the bench with Daniel Roth, Europe’s greatest living pipe organist, as he plays Europe’s greatest pipe organ in St. Sulpice Cathedral in Paris.

10. Hike on a ridge high in Switzerland’s Alps ‘ literally tight-roping on it for three hours ‘ with lakes on one side stretching all the way to Germany and the ultimate mountain view on the other with the Eiger, Monch, and Jungfrau cutting like glass into the blue sky as the long legato tones of an alphorn in the distance announce that the helicopter-stocked mountain hut is open, it’s just around the corner…and the coffee schnapps is on.

These little things remind me why I continue to enjoy Europe so much. How about you?

Debating Dubrovnik and Making TV

Our TV show on “Dubrovnik and Balkan Side-Trips,” which debuts this month on public television, is one of my favorites of this new series. The editor’s cut came in at more than two minutes too long. Here’s an e-mail exchange I had with our team on the painful chore of cutting it to size. It’s between me, Steve Cammarano (our television editor), and Cameron Hewitt (co-author to my guidebook on this region and this episode’s co-writer). The reference to “kill your babies” is the slang editors use when writers can’t part with something adorable, even though it doesn’t fit the structure of an article, book, or script. It’s graphic, but to writers, it almost seems appropriate. This exchange, while a bit wonkish perhaps, gives a peek at the debates that go on behind the scene as we make these shows ‘ and also illustrates how fortunate I am to work with such talented people.

———-

To: Rick and Cameron

From: Steve

The “Dubrovnik and Balkans Side-Trips” show is ready for you to view. It is running 2:30 long, and nothing seems obviously cuttable. So, since it’s a “kill your babies” decision, Simon [the producer] and I thought we’d let you decide which of the little babies to slaughter. (We’ll nickname you Herod afterwards!) Let me know what you think. After you get a chance to look at it, I’ll give Cameron a file or DVD so we can get his comments too and consolidate all cuts/changes.

Thanks, Steve

———-

To: Steve

From: Rick

Here’s the Dead Baby Cemetery. Cut these sequences to save the necessary time:

[8 OC] Locals consider themselves a unique mix of Slavic and Roman culture. When Dubrovnik was just a small town in the seventh century, this main drag was a water way. Romans fleeing from the invading Slavs lived on this side, which was a fortified island. And eventually, the Slavs settled on the mainland. In the 11th century, the canal was filled in, the towns merged, and Dubrovnik’s culture blossomed.

[11] The Sponza Palace is the finest surviving example of Dubrovnik’s Golden Age in the 15th and 16th centuries, combining Renaissance and Venetian Gothic styles. Stepping into its stately courtyard takes you back to that illustrious age.

[13] In the Middle Ages, the city’s monasteries flourished. Today tourists escaping the heat explore these peaceful, sun-dappled cloisters and their modest museums.

[14] Religious art and fine reliquaries stand as evidence of the town’s importance in its heyday. Paintings from the “Dubrovnik School” show the Republic’s circa-1500 answer to the art boom in Florence and Venice. This canvas shows old-time Dubrovnik ‘ looking much like it does today.

[18] We’re staying at a small guesthouse at the top of town. Throughout Croatia, sobe ‘ that’s rooms for rent in private homes ‘ are a much better value than big hotels. Ours is run by Pero.

[19 Pero sound bites: walnut grappa, the war, six month siege, no food, no electricity, house bombed, 200 years in family, couldn’t just walk away, rebuilt, made guesthouse, now the tourists are back.]

This was really tough but I feel Dubrovnik is a well-worn topic and what we did in Montenegro and Bosnia was really ground-breaking. I really like Cameron’s presence in the show and wouldn’t cut a word of that. By cutting this, by my count, we save 2:25.

Other comments (not related to our time concerns): Could we include one more painting of a ship in a storm to make that bit more vivid? When the script says “gave the place its name ‘ Montenegro” I envision the mountain-ringed basin looking inland with the craggy rocks and the inhospitable expanse. Do we have something like that to consider? If you think the woman is inaudible for #69 I could read the VO for the park-turned-cemetery. It might save time too. I miss the map of the Serb Republic within Bosnia-Herz, and I miss the cruise ship reality bit. But there just isn’t time. Again, nice work.

Thanks, Rick

———-

To: Rick and Steve

From: Cameron

Thanks for sending this list, Rick. I discussed with Steve and took a careful look at the show/script. Here’s my take:

First, this is yet another fantastic show. Gorgeously shot by Karel and artfully edited by Steve. I wasn’t sure how we’d cram so much interesting content into one package and still let it breathe, but Steve pulled it off. The sequence near the end, juxtaposing the church and the mosque crowd over pensive music, is about the most powerful thing I’ve seen regarding this conflict. The show succeeds in grappling with the realities of war head-on, without glossing over painful truths, while still being entertaining, easy to comprehend, and a lively travelogue…all this and even-handed, too. Great work, everyone!

I agree with most of Rick’s suggested cuts. The Sponza Palace can definitely go; the monasteries are also optional, though I find them more interesting/important/pretty than the palace. If we cut both, however, the sightseeing content in Dubrovnik gets very thin; it’d be nice to save one or the other.

Rick’s on-camera about the filled-in canal is also somewhat deletable, though I like it. I’d try to keep it unless it’s essential to cut.

On the whole, when you add up all of your cuts, it seems like Dubrovnik is really being gutted. In your version, Dubrovnik ‘ which, after all, is the title and main destination of the show ‘ really gets short shrift. You mention that Dubrovnik is well-worn. Well, maybe for those of us who’ve traveled a lot. But in terms of the TV audience, this is your one and only shot at it, and it’d be a shame to do it halfway. Paris and London are well-worn, but they still deserve to be covered in a TV show as if for the first time.

So I’d lobby to keep Pero. I think that sequence is very effective. Pero comes off as likeable and articulate. And it’s very powerful to see the two of you standing in a formerly destroyed house holding a mortar.

More importantly, big picture: If we cut Pero, we throw off the delicate balance that this show has achieved. When you think about the local people you “interview,” we’ve currently got a Croat, a Montenegrin, a Serb, and a Muslim. I think it’s critical to afford each group a voice. Including Pero offers a powerful symmetry to this show: We see the gorgeous town of Dubrovnik, then hear about the war from someone who lived through it; later, we see the pretty town of Mostar, then hear about the war from someone who lived through it. If we leave out Pero, the only real talk of Croats is as the aggressors in Mostar. I think it’s essential to also show a Croat (Pero) as a resilient victim. Pero also personalizes the war in Dubrovnik in a pretty dramatic way.

So what’s to be done? It’s clear to me that ‘ both in terms of the quality of the sequences, and in terms of the overall balance of the show ‘ the most expendable bit is Cetinje. If you simply cut everything after the explanation of the name “Black Mountain,” it’s a tidy transition out of the country.

I really like Stefan, and I’d be very sorry to see him go. And, Rick, I know you have an affection for Cetinje. But let’s be honest: Cetinje is neither particularly attractive, nor historically interesting. At best, it’s a depressed, once-great town that gets a quirky footnote in history. And the church/monastery Stefan guides you through pales in comparison to the one in Trebinje. It feels like one Orthodox church too many (especially right in a row). I’d rather have an articulate, philosophizing priest explaining a gorgeous Orthodox church than a tour guide explaining a hokey artifact in a blah one. If you’re trying to flesh out a thin show, that’s one thing. But we have the opposite problem. If anything should get short shrift in this overstuffed show, it’s Montenegro ‘ not Dubrovnik.

Getting back to the issue of providing balance: If we take out Stefan, we’ve still got a Croat (Pero), a Serb (Father Drazen), and a Muslim (Alma). That feels right to me, as you promise in the opening OC, “We’ll get to know three major groups of the former Yugoslavia ‘ Croats, Serbs, and Muslims.”

If we cut Cetinje, it should get us closer to the time we need. We could also cut some of the Dubrovnik bits you suggested. I’d also nominate selectively trimming some of the interview sections. For example:

–Father Drazen is great, but one question/answer that could go is the one about “pluralism.” I found his answer too pat (“sure, sure, sure!”) and frankly unconvincing; his response to the next question, about “Balkanization” is similar but far more revealing (“we have to work hard at it”), and does the job better than the pluralism answer.

–The section with my lines conveys a lot of hard-to-digest content and is pretty dense. But we could cherry-pick a few lines in there to cut. For example, the explanation of why these wars happened (age-old hatreds vs. manipulative politicians) is an important point, but difficult to convey succinctly. It could go.

–I can see where it might work to trim down Alma’s talk in the cemetery, if you want, and cover some of that with your voice-over.

Rick, I feel strongly about the Cetinje issue. I really think cutting Cetinje would make this a more powerful show ‘ and a more balanced, nuanced, and thought-provoking one.

I hope this helps. I might give the show another look to see if there are any (minor) factual bits that need to be tweaked.

Thanks for listening, Cameron

———-

To: Steve and Cameron

From: Rick

Thanks, Cameron. You’d make a good lawyer. OK, I’ll buy keeping Pero. But I’d like to cut all the other proposed bits from Dubrovnik. That means we still have to cut something to make Steve’s time needs. I agree that the kid in the Cetinje church is cuttable, and the bit about pluralism. So, please, cut all but Pero in Dub, cut the church (only) in Cetinje, and cut just the line about pluralism. What does that leave us, Steve, for further cuts needed?

Rick

———

To: Rick and Cameron

From: Steve

Rick, I’ll take a look at what that would mean time-wise for your revised, proposed cuts. After taking into consideration both yours and Cameron’s comments, I’d like to make my own case. I agree with Cameron’s proposal to cut Cetinje entirely for the reasons he states, and cutting just the church/relic sequence makes Cetinje even more unnecessary in the show. If we cut all of Cetinje we drop 1:25. In terms of Dubrovnik, I would cut the monasteries and art because I feel they are less than impressive and doing so would connect your previous on-camera to the walls of Dubrovnik better (the OC was about the period when Dubrovnik was growing/becoming prominent, and the walls are the most visible and impressive sign of that). Losing the monasteries and art would cut around another 30 seconds. And I also feel very strongly that we should keep Pero in the show. Finally, I agree with Cameron’s suggested trim of Father Drazen when he speaks of pluralism. Depending on where I cut it, that gets us somewhere between 15 and 25 seconds. That puts us right in the pocket, time-wise. I can probably get it to time after that with my usual final pass of trims and fine cutting. I think this would make the best show and get me where I need to be time-wise. I’ll look into where your proposed cuts would leave us in terms of show length, Rick. Let me know what you guys think.

Thanks, Steve

———-

To: Steve and Cameron

From: Rick

Hello all,

Cutting Cetinje will come back to haunt you because I think we might actually have to return for an entire show. But, I’m clearly outvoted so I’ll go with that. How about this: Cut Cetinje altogether (1:25), cut monastery and art, cut pluralism. Does that get us to the goal line? I am ambivalent about the palace.

Why don’t Steve and Cameron huddle with this last input from me? The Dubrovnik thing is complex. Proceed from the starting point of what time we need to save without Cetinje and pluralism. Please tell me, without Cetinje and pluralism, how you propose to make it fit with just Dubrovnik cuts after that.

Thanks, Rick

———-

To: Rick and Cameron

From: Steve

Rick,

I’ve cut Cetinje and pluralism, and it leaves us 49 seconds long. Of your earlier proposed Dubrovnik cuts the OC about Slavs/Romans is 23 seconds, Sponza Palace is 14 seconds, and the monasteries and art are 30 seconds. Keep in mind that I should be able to get another 10-15 seconds of fat out when I take a final pass, so we could get most of the way by cutting one or two of these and find the remaining time in trims. We can easily figure it out after you get home. (I’ll begin working on “The Best of Cetinje” show after Oslo…)

Steve

———-

To: Rick and Steve

From: Cameron

Hey Rick,

Thanks for being open to our suggestions. It’s going to significantly strengthen an already stellar show! (Hmmm. I can see it now: “The Miserable Mediterranean: Cetinje, Gythio, and Genoa.” I’ll get working on a script…)

Cameron

———-

To see what ended up on the cutting room floor, watch this clip about Cetinje.

Germans Ask America to Keep Hitler Out of Our Politics

It’s understandable that anyone wanting to make a political point will compare their opponent to Hitler. While obviously ridiculous hyperbole, it does push people’s buttons and can be effective ‘ especially to a simple-minded and easily frightened audience.

Recently, in my little town of Edmonds, I nearly got in trouble with the police over a Hitler incident. Some right-wing fringies were demonstrating against “Obamacare.” They had a poster of Obama with a Hitler moustache hanging from their card table. It angered me, so the poster ended up ripped up and on the ground. So that they wouldn’t press assault charges, I followed the policeman’s advice and apologized for denying them their free speech rights. The cop was right. I was wrong to react the way I did.

The episode caused me to consider the politics of comparing your enemy to Hitler. I love Jon Stewart’s Daily Show bit in which Lewis Black illustrates how Glenn Beck has Nazi Tourette’s. When discussing politics, I catch myself whenever I flirt with making a Hitler parallel. The last thing I want is “Nazi Tourette’s.”

As fascism is on the extreme right of the political spectrum and communism is on the extreme left, it seems more logical for leftists to insult their opponents with Hitler references. But lately in the USA it is the right-wingers who are calling people they fear are turning America into a “socialist state” fascist names. Right-wingers would more effectively impress anyone who knew anything about history, economics, or politics by comparing their opponents to Mao or Stalin rather than Hitler.

In my lifetime certain things have really pushed my button. My dad and I have sparred politically for 30 years. To me he’s too impressionable by the media. As he’s my own flesh and blood, I care how his brain is wired. I think that’s why I get really emotional when I say something like, “You can’t hug a child with nuclear arms,” and he responds with something like, “Nuke the whales.”

I’ve pondered why that Hitler moustache on President Obama pushed my button. Those people manning the card table at our town market were young. Their youth made their politics more poignant to me. And, while I can respect people for opposing health care for poor people on ideological grounds, to compare that with Hitler’s actions diminishes the horrors suffered by the victims of Hitler.

When caring citizens, on the left or the right, compare their opponents to Hitler and the Nazis, I fear that ‘ rather than elevating their cause ‘ they are diminishing the Holocaust and blurring the evil of Hitler himself. This accelerates the fading into history of the lessons we should have learned from the nightmare of the last century. The request of the victims of the Holocaust is that we never forget…not that we cheapen their loss with silly references and comparisons.

These thoughts were affirmed and crystallized quite succinctly in a recent op-ed that shares the German take on this. The piece ran in Der Spiegel, the German equivalent to our Time magazine.

I think anytime people equate their political opponents or their policies to Hitler and the Nazis, they illustrate a simplistic anti-intellectualism that is dangerous. It is tempting for me to fall into that same trap and to say that this kind of simple-minded demonizing and fear-mongering could actually lead us down the same path that led Germany astray. But I won’t.